Issue #139

UwP139

Jul/Aug 2024

In This Issue

Editorial

  • Competitions, RIP Martin Edge

RIP Martin Edge

  • by Alex Mustard

News, Travel & Events

  • 2024 Monterey Shootout - August 23-25, 2024
  • Inaugural Underwater Awards Australasia Imaging Competition
  • Reef Species of the World
  • Bunaken Oasis 2025 Photography Workshop with Alex Tattersall
  • ‘Word on the Reef’ podcast
  • Banda Sea with Grant Thomas
  • WildPhotos, Bristol , Sunday 13th October
  • Dive & More 7-night trip onboard Emperor Serenity
  • Sea Change: The Gulf of Maine, a NOVA Special Presentation

New Products

  • Backscatter Hybrid Flash HF-1
  • TTL Converter for Marelux MX-Z8 housing
  • Weefine TG-7 Super Macro Ring Light Kit
  • Ultralight TPK-LMU-06-tripod
  • SeaPal 6’’ Dome
  • Marelux Nikon Z8 Housing
  • Barlus MINI 50mm global shutter camera for high-speed shooting
  • EUGOOCX 40M Waterproof Case for DJI Osmo Pocket 3
  • SUPE Scubalamp V7K Moive light
  • EDGE MAX Water Housing Nikon Z9
  • INON X-2 R6 Mark II Housing for Canon EOS R6 Mark II
  • Backscatter Sharp Wide Lens Pro
  • Ricoh announces Pentax WG-8 and WG-1000 waterproof compacts
  • T-Shirt Vintage Ikelite Logo (Natural Cotton)
  • Oceanic+ Dive Housings from Malta
  • Ikelite Housing for Sony Alpha a6600
  • Anleitung Unterwasserfotografie mit der OM SYSTEM Tough TG-7
  • Treasures, Shipwrecks and the Dawn of Red Sea Diving by Howard Rosenstein
  • The World of Blackwater by Mike Bartick

Competitions

  • UN Oceans Day winners by Ian Bongso-Seldrup
  • Torbay Splash In, Devon,UK by Tim Allen

Equipment reviews

  • Nikonos 13mm conversion by Matthew Sullivan
  • Sony GM wide lenses by Massimo Franzese

Featured photographer

  • My Journey by Sandra Stalker

Techniques

  • Recovering splits with AI by Steve Miller

Marine life

  • Lembeh Camouflage by Sam Robertshaw

Locations

  • Providencia Island by Wolfgang Schreibmayer
  • Sint Maartem by Tim Guerney

Marshall’s Mysteries 16

  • by Colin Marshall

My Shot

  • by David Fleetham

Parting Shot

  • by Steffen Schmitt

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